A Peek at My TBR Shelf

This is actually just a portion of my TBR (To Be Read) Shelf. And these are only the books I've purchased. I've got a whole list of potentials on my Goodreads page. Some of these are kind of shocking (no, I still haven't read Graceling). And I confess to having books scattered around my house that aren't even on my radar to read, and yet I haven't touched them. (I may never get to William Faulkner's The Reivers, but it stands there and mocks me daily.)

How's your TBR stack or shelf? Are you making dents in it, or does it just keep growing, like mine?

Research Files: The Festival of Midsummer

Each volume of my fantasy series for middle graders revolves around a particular element and season of the traditional Celtic pagan year. The Key and the Flame, the first book, takes place in the season of summer. The element is fire. And the festival--or in pagan terms, the sabbat--is a lesser one called Midsummer.

What is Midsummer?

First of all, it isn't the middle of summer--at least, not the way we think of it today. Midsummer was celebrated at the summer solstice, which varies from year to year but falls around June 21. (The exact date depends on the earth's revolution around the sun, which takes slightly longer than 365 days.) On Midsummer, the northern hemisphere has its longest day, when the sun is at 0 degrees Cancer.

The ancient Celts called this Midsummer because in their calendar, summer began at Beltane, or around May 1. Summer ran until Lammas, or about August 1. Thus for them, June 21 was the middle of summer. Christianity, which adopted several pagan festivals, called this St. John's Day, in honor of the birth of John the Baptist.

As the height of the Season of Fire, Midsummer was a festival celebrated by honoring the sun, building bonfires, dancing, and feasting. Yellow and gold are the colors of Midsummer, a time to rejoice in the warmth of the earth and the abundance of seasonal plants and flowers. It is still a traditional folk festival celebrated in many parts of the world.

Any sabbat is a time of strong magic, and thus a good time to forge a wand--luckily for Holly. King Reynard opts to hold his tournament at Midsummer, which may be a coincidence or may be, as the Wandwright suggests, a sign that despite his hatred of magic, he has not forgotten all the rituals of magicfolk.


photo copyright Can Stock Photo Inc. / RobertMrocze

This Is My Brain on Charles M. Schulz

Has anyone ever told you that when you're supposed to be writing, you're supposed to be writing?

Ordinarily, I'd echo that. I'd be all up in your face like a drill sergeant: "Butt in Chair, maggots! String those words together!" But when I'm the one slacking off, I try to be kinder than that. You should be too.

So what should you do when you're supposed to be writing and you're not? I advise you to indulge in a little right-brain nonsense. I decided to sketch myself.

After a moment of studying this work of art, I realized that I had inadvertently channeled my all-time favorite cartoonist and drawn myself as Charlie Brown. Maybe I need to rethink my self-image.

Who would you draw yourself as?

WAW Award Voting Is Closed!

If you are a student, teacher, librarian, or parent in the state of Kansas, you're probably aware that the William Allen White Children's Book Award is the annual chance for kids to tell us what they like to read. A handful of books are chosen as nominees by the main selection committee, and then kids vote for their favorites to win the top prize in two categories: Grades 3-5 and Grades 6-8. Note that nominees were published two years ago, so these are all books from 2009-2010. This award is a great way for writers to find out what kids like--not just what their teachers and parents like. Here are the nominees for this year:

Nominees for Grades 3-5
fiction:

• Extra Credit by Andrew Clements
• Family Reminders by Julie Danneberg
• Also Known as Harper by Ann Haywood Leal
• Where the Mountain Meets the Moon  by Grace Lin
• 11 Birthdays  by Wendy Mass
• Fortune's Magic Farm by Suzanne Selfors

nonfiction:

• The Grand Mosque of Paris: A Story of How Muslims Rescued Jews During the Holocaust by Karen Gray Ruelle
• The Boy Who Invented TV: The Story of Philo Farnsworth by Kathleen Krull

Nominees for Grades 6-8
fiction:

•  Anything But Typical by Nora Raleigh Baskin
• The Amaranth Enchantment by Julie Berry
• All the Broken Pieces: A Novel in Verse by Ann E. Burg
• Wild Things by Clay Carmichael
• Double Eagle by Sneed B. Collard III
• My Name Is  Phillis Wheatley: A Story of Slavery and Freedom  by Afua Cooper
• Scat by Carl Hiaasen
• Operation Yes by Sara Holmes
• The Evolution of Calpurnia Tate by Jacqueline Kelly
• Confetti Girl by Diana Lopez
• Faith, Hope, and Ivy June by Phyllis Reynolds Naylor
• Heart of a Shepherd by Rosanne Parry
• Notes from the Dog by Gary Paulsen
• The Mostly True Adventures of Homer P. Figg by W. R. Philbrick
• The Great Death by John E. Smelcer

nonfiction:

• Years of Dust: The Story of the Dust Bowl by Albert Marrin

Winners for this year will be announced April 25, so stay tuned! How many have you read?

What Your Copy Editor Does for You

your copy editor knows her trains

As I delve deeper into the copyedited pages of The Key & the Flame manuscript, the process feels very familiar. Not only do I dissect manuscripts on a regular basis as a freelance copy editor, but many years ago I worked as a project editor for HarperCollins. In the parlance of that particular department, a project editor was the person who handled manuscripts in the production phase--hiring copy editors and proofreaders, going over the authors' corrections, and moving the book along toward its pub date. (Many publishers call this person a production editor.) So I know the copyediting process from various points of view. But it occurred to me that maybe some of you are wondering what the heck the copy editor does, anyway?

Because (you may reason), after all, my editor has already gone through the manuscript with a fine-tooth comb, right? She/he has already taken it apart and turned it inside out. She/He sent me a ten-page letter telling me what revisions were needed. I spent weeks whipping this baby into shape. What else is there to do?

Plenty. See, your editor is a big-picture kind of reader. She thinks in terms of plot, characters, conflict, theme. Does your timeline make sense? Is the hero acting consistently? Is the writing overdone or underdone? Different editors have different strengths and focus on various points according to the author and the work itself. But generally, they're looking at the forest.

So someone has to look at the trees--each tree. Okay, each leaf, really.

Enter the copy editor.

The copy editor will, of course, check your grammar. If she's a good copy editor, she'll catch on to your little quirks and leave them alone because it's part of your "style." If she's really good, she'll catch on but then also see where you violate your own rules and call you on it. Outside of those constrictions, she'll help your text conform to the publishing-house style book (for instance, The Chicago Manual of Style, plus the publisher's own quirky decisions as to spelling and punctuation). She's also responsible for:

• keeping track of the plot's chronology and timeline
• making sure that when Rodrigo sips red wine on page 14, he hasn't suddenly switched to brandy on page 15
• checking trademark names (it's Coca-Cola, not Coco Cola)
• seeing if Starbucks actually serves a drink called a Whippacino (they don't)
• verifying that Stella isn't using an iPhone in 2005 (the first was released in 2007)
• finding out if the no. 5 train stops at 51st Street (no, it's an express)
• knowing when peanut butter was invented
• consistency, consistency, consistency (in spelling, character names, plotting, etc.)

When I copyedited books, I sometimes wondered how writers could miss basic stuff like the fact that if Jason goes skydiving on Thursday and "two days later, on Monday" he meets Candace at a Greek restaurant, something doesn't add up. Now, as a writer, I know that if you've messed with your timeline over and over in multiple drafts, pieces of it may not have quite fallen into place. That's the kind of thing that a copy editor, who's never read your book before, will notice.

So yes--your book needs yet another pair of eyes. And yes, you will be grateful for it.

Bless Your Copy Editor

I have just received the copyedited manuscript of The Key and the Flame, and I have to say, I was nervous opening the package. I've been a professional copy editor for more than twenty years and I've edited hundreds of books. I've circled, underlined, questioned, commented, and crossed out. I've composed queries on Post-Its only to tear them off and reword them more kindly. I hope I've come across as being helpful, not snarky or self-righteous. Because, you know, writing is hard. And I was taking my red pencil to somebody's baby.

But karma can be, well ... you know.

So it was with a great sigh of relief that I thumbed through the manuscript pages and saw that my my copy editor had been kind. Questions were tactfully posed, editing was reserved, even the penmanship (pencilmanship?) was neat. Thank you, Anonymous Copy Editor, for reminding me that it's Lewis and Clark, not Louis and Clark (ugh! How could I miss that?). And thank you for constructing the exhaustive style sheet of all my weird character names, for checking to see if the Waffle Emporium was a real place (it isn't), and for reading the text closely enough to notice that some characters don't remember past events quite accurately (which is intentional). Reading the forest as well as the individual trees is the copy editor's task, and mine did hers (or his) quite well. I do bless you, whoever you are, as I hope I've been blessed myself.

Aid to the Process

Source: tweakiz.com via Miss on Pinterest

The inimitable Ms. Lee.